This group exhibition showcases the work of self-taught artists from across the United States: Purvis Young (Miami, FL), Z.B. Armstrong (Thomson, GA), Anthony Joseph Salvatore (Youngstown, OH), Myrtice West (Centre, AL), Elder Anderson Johnson (Newport News, VA), and Rev. Albert Wagner (Cleveland, OH). Together, their works reflect a shared commitment to making art as an expression of faith, calling, and lived spiritual experience.
Self-taught artists working within faith-based traditions often share a profound sense of purpose rooted in spiritual experience rather than formal training. For artists such as Anthony Joseph Salvatore, Rev. Albert Wagner, Myrtice West, Elder Anderson Johnson, Z.B. Armstrong and Purvis Young, the act of creation is inseparable from a sense of divine or spiritual calling. Many describe receiving instruction—through visions, dreams, or an inner voice understood as the word of the Lord or an angelic presence—that compels them to translate biblical narratives and moral teachings into visual form.
Notably, several of these artists began making art later in life—some not until their 40s, 50s, or even 60s—often following a moment of spiritual awakening, personal crisis, or renewed religious devotion. Without formal academic training, their artistic practices emerged as acts of faith rather than career pursuits, shaped by necessity, conviction, and revelation. This late beginning underscores that their work is not driven by institutional pathways but by an urgent, lived experience of calling that demands expression.
Despite differences in style, medium, and personal background, their works are united by a shared urgency to communicate sacred messages and bear witness to faith. Their imagery often draws from scripture, apocalyptic visions, and scenes of salvation and struggle, filtered through deeply personal interpretation. Materials are frequently improvised, and compositions prioritize symbolic clarity and emotional intensity over conventional perspective or technique, reinforcing the primacy of message over form.
Together, these artists situate their practices within a lineage of devotional expression where creativity becomes an act of obedience, testimony, and praise. Their work challenges traditional distinctions between artist and prophet, suggesting that art making is not merely aesthetic but a divinely inspired mission—one that transforms personal revelation into a collective visual language of belief.

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Reverend Albert Wagner
“The Madonna” Mary, Joseph and Jesus, 1996
Acrylic on found thrift store painting
51” x 26.5”

Purvis Young (1943–2010)
Miami, FL.
A calling, as Purvis Young recounts, came to him one night in a prison cell while serving a sentence for breaking and entering: “I woke up and the angels came to me and I told ‘em, you know, hey man this is not my life – and they said they were gonna make a way for me, you know….”
© Image: Larry T. Clemmons

Myrtice West (1923 – 2010)
Centre, AL.
West experienced vivid night visions that compelled her to paint scenes from the Book of Revelation. Working intuitively in oil, she completed two full Revelation series over the course of eight years. She later expanded her focus to other prophetic texts, including Ezekiel and Daniel, continuing to translate deeply personal spiritual visions into powerful visu

Elder Anderson Johnson (1915–1998)
Newport News, VA.
Johnson said he received his first divine vision at age eight: two angels appeared as he worked in a field, showing him an open book of his life and urging him to remain faithful. A gifted musician and self-taught artist, he illustrated sermons with “trick drawings,” painting with both hands—and even his toes—to captivate congregations.
© Image: 1

Anthony Joseph Salvatore (1938–1994))
Youngstown, OH.
At age nine, Salvatore experienced a profound spiritual calling that shaped his vocation. After a serious car accident in 1973 and multiple spinal surgeries, he turned more fully to painting, later studying art, philosophy, and religion while in rehabilitation. Ordained in 1981, he continued to support himself through humble work as he pursued

Zebedee “Z.B.” Armstrong (1911 - 1993)
Thomson, GA.
In 1972, after the death of his wife and a reported angelic vision warning that the end of the world was near, Armstrong became increasingly reclusive and obsessed with time, scripture, and the Book of Revelation.
© Image: The Gregg Museum

Reverend Albert Wagner (1924 – 2006)
Cleveland, OH.
On the eve of his fiftieth birthday, while cleaning his basement, Wagner noticed paint splatters on a scrap of wood. The sight stirred vivid childhood memories and awakened a powerful creative calling.
“All my life I wanted to paint. I just didn’t know how. God gives directions and you have to follow them.”
© Image: Mary Ellen Mark

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